London Paris New York Music Review

Rating: ★ ★ 1/2

A look at the CD cover and Ali Zafar is the name that dominates most part of the credits; Music Composer, Lyricist, Singer and Lead Actor. London Paris New York (LPNY) is one soundtrack where the listeners doesn't actually know what to expect, sole reason being Ali Zafar's past record (in Bollywood) where considerably he has only 'Madhubala' (Mere Brother Ki Dulhan) in his bag as a lead singer apart from 'Tere Bin Laden'. Doing the lyrics alongside music and singing makes up for a real tough task and is a very risky affair (Himesh Reshammiya is a prime example). LPNY pairs up Aditi Rao Hydari and Ali Zafar where Aditi Rao is also seen crooning two tunes out of six originals and one acoustic version.

It kick-starts with the title song "London Paris New York" which starts beautifully with some female alaap by Sunidhi Chauhan alongside piano and Ali Zafar joining with his ''worth noticing'' dictions. Although nothing much new on the music front with an ordinary interlude but surely the singing by Ali Zafar is appreciable. The Hindi-English lyrics will attract ears and the cool promotional video will surely make up for a number with some repeat value. Peppy and Foot tapping!

Piano dominates the 2nd track, "Vo Dekhnay Mein" which has a Déjà Vu feel attached to it, especially the antaras. Ali Zafar does well in creating a peaceful environment. The lyrics are simple and appreciable. In the singing department, he is impressive but at the same time falls flat with the high notes and almost does a Kishore Kumar at the end. Wonder what a voice like that of Mohit Chauhan would have done to this number! Anyways a good decent track.

"Vo Dekhnay Mein-Female Acoustic Version" starts off gracefully with Aditi Rao Hydari doing the vocals alongside polished guitar strums. To everyone disappointment, the duration is only of one minute and makes one wanting for more. Aditi makes one fall in love just with few lines; wonder what was Ali thinking by including a one minute version which would go unnoticed, what otherwise could have been a fantastic reprise version.

After two good tracks, one expects some more pretentious tunes, but sadly the 3rd track, "Ting Rang" is rather a disappointment. An attempt to bring in the Punjabi flavour with the blend of Dhol and western beats alongside harmonium looks good but the singing is a big letdown. Quite honestly, Ali Zafar's voice doesn't suit the genre and a Mika or Master Saleem would have provided that extra zing and infused some more energy into the song. The video and the picturisation might do some damage control but as an audio, it’s an average composition.

"Thehree Si Zindagi" is gripping and certainly the best of the lot. Ali Zafar and Aditi Rao Hydari with their voice create an Aura that stays with you and is a kind of composition that one can't resist to listen on 'Repeat Mode'. Ali Zafar is surely a reincarnation of Atif Aslam. Aditi Rao Hydari is simply terrific and strikes gold in her sensational debut as a lead playback singer. The lyrics are refined and first-class. Ali Zafar certainly deserves a pat on his back for the multi-tasking job. However, the last one minute of the track looks a tad bit overstretched with a never ending chorus and could have been eradicated. Still, an absorbing composition which definitely deserve a hearing or two. Don't miss this one!

Hadiqa Kiani (Few songs in 'Bol') and Sanam Marvi, two hugely popular Pakistani artists join in for "Oo Lala" and the talent is completely wasted in this fast paced noisy track. After one minute of extensive orchestration, Sanam Marvi throws in some Classical-Sufi notes with Hadiqa Kiani trying to make you do 'Oo Lala' but fails completely. The English rap in the interlude adds insult to injury and Ali Zafar's 20 seconds stint at the end makes up for way too experimentation. Skip!

"Aaja" is an interesting tale of heart-break which shifts gears after 1.30 minute with the drunken voice of Ali Zafar who makes sure that he remains the only name as the Male lead playback in the soundtrack. Some Punjabi lyrics dominate the proceedings and ends much sooner when the listeners try to adjust to the unusual pace of the 2nd half. Nothing much to boast about this 3 minute composition.

Aditi Rao Hydari aka Lalitha

Ali Zafar aka Nikhil

Overall, LPNY looses its way in between and certainly lacks in the singing department with an overdose of Ali Zafar, maybe he should have tried with some more bankable artists to bring on the much needed variety. Sunidhi Chauhan hardly makes her presence felt in the title song but Aditi Rao Hydari, as I already said, is opulent. Another area where it could have done much more is with the lyrics which are way too simple at places and some which we have heard a zillion times. Still, 'Thehree Si Zindagi' is quite appreciable with 'Vo Dekhnay Mein' storming up the charts with the Valentines-Day on the cards. 

I rate it 2.5 out of 5.
Edited Version@ Planet-Bollywood

Players Music Review

The Players

Rating: ★ ★ ★ 1/2

Abbas-Mustan/A-M (Director) and Musical thrillers have become synonymous to each other since their inception in the Hindi Film industry with Khiladi (1992) and Baazigar (1993), which were superhit musicals of their time. The Directors used the service of Anu Malik (Music Director) for almost 8 years and then shifted to Himesh Reshammiya for 'Humraaz' (2002) till '36 China Town' happened in 2006. They are having a good run with the much-in-demand musician Pritam Chakraborty lately; case in point, 'Naqaab'-2007 (Above Average) and 'Race'-2008 (Worth your money), and now with a vaccum of almost four years, the hit combination of A-M and Pritam returns back with 'The Italian Job' (2003 Hollywood Flick) remake "Players", an action thriller about gold heist with a huge star cast of Abhishek Bachchan, Sonam Kapoor, Bobby Deol, Neil Nitin Mukesh, Bipasha Basu and Sikander Kher which is bound to ignite fire onscreen and aren't the teasers bombastic and stylish..Hell Yeah! So let's dwell inside the soundtrack which is full of Reprises and Remixes, as expected out of Pritam!

The first track "Jis Jagah Pe Khatam” is highly inspired by Pritam's previous compositions, 'Race Saanson Ki' from 'Race' and the title track of 'Badmaash Company'. Neeraj Shridhar sounds a bit different, Mauli Dave is sensational, Siddharth Basrur voice is lost in chorus. Talking of lyrics by Ashish Pandit, the hook line 'Jis Jagah Pe Khatam Sabki Baat Hoti Hai, Us Jagah Se Hamari Shuruat Hoti Hai' is too simple but at the same time, the catchy and addictive tune saves the song which just falls short of being an anthem. Not a chartbuster opening as has been the case with Pritam but surely a good composition which would do well for the promotions and should be used at various junctures in the movie.

"Jis Jagah Pe Khatam-Remix" is too loud and doesn't work at all.

Sonam Kapoor seducing Neil Nitin Mukesh in 'Jhoom Jhoom Ta Ja'

Some carnival/Arabic music arrangements begins the proceedings for the second song “Jhoom Jhoom Ta Ja ” which is on the same lines as ‘Udi’ from ‘Guzaarish’ last year and at places reminds of ‘Hawa Hawa’ from ‘Rockstar’. Pritam brings on 'Jalebi Bai' (Double Dhamaal) Ritu Pathak behind the mike, where any other day and it could very well have been Sunidhi Chauhan at the helm of affairs. Ritu Pathak comes out of the item-number's shell and impresses in this raunchy-seductive-not-so-Pritam track which will take few listening to settle down, it's no way near to 'Zara Zara Touch Me' (Race) but will surely make up for a good visual treat onscreen with a probable Sonam Kapoor seducing Neil Nitin Mukesh.

The next version ''Kyu Dooriyan/Jhoom Jhoom Ta Hun Main" merely takes 50 seconds to set the mood and one can't resist grooving to this fast-paced-techno version (keep aside the comparisons at the start with some English song). Siddharth Basrur replaces the female voice and people would say that he steps into the shoes of Atif Aslam especially for the high-pitched tones, but that's a mere coincidence and would be a harsh comparison for the talented artist who have got only few average tracks in 'Haunted' under his bag. Lyrics completely changes from the Female version which makes it a completely different song. So there you go, a definite chartbuster!

As one moves on, a third version of "Jhoom Jhoom Ta Hun Main-Film Version" makes up for almost a repeated hearing of Siddharth Basrur's version, the only and only difference is the singer Arijit Singh (reality show participant) who makes his debut as a singer and being a classically trained artist, does full justice to this western composition. Wonder why it is being called as the Film Version; hear it only for the young talent!

"Ho Gayi Tun" is a situational number which should see the protagonist (Bipasha Basu-May be) getting full on tunn. Ashish Pandit does put in some good lyrics, where Yashita Yashpal (voice behind 'Haa Main Jitni Martaba'-All The Best) does well to keep the mood intact throughout, what surprises me though is the auto-tuned effect brought to her voice which leaves very little space for the singer to move. BoB-The Rapper is wasted in the rapping portion in the second interlude that sounds forceful, also one may feel that there is too much experiment with the musical arrangements at places. Overall, a good number that gives a heard before feel and should fit in pretty well along the narration of the movie. 

Abhishek Bachchan (AKA Charlie in the movie) with his raw voice will make you listen the next track, "Buddhi Do Bhagwan (Charlies Song)" which will certainly see a promotional video rolling over your Television screens very soon. Just because Abhishek has lent his voice, don't start comparing it with his previous works, especially 'Right Here Right Now' from 'Bluffmaster'. Shruti Pathak after giving some superhits with Salim-Sulaiman, first time joins hands with Pritam and may get unnoticed, as Abhishek's part is certainly the USP of this track. Lyrics are kept simple with Abhishek praying to God to give some Buddhi to the girl and then carries on with some conversational lyrics in the Antaras that follow. Make no mistake; it will shot right up in the charts once the video is out with such a huge star cast.

"Dil Yeh Bekarar Kyu Hai" is a sure shot chart scorcher from the word 'Go'. It's more of a refined version of 'I Am In Love' from 'Once Upon A Time In Mumbai' which was a superb composition by Pritam and sadly wasn't even used in the movie, hope this number doesn't gets the same treatment and gets optimum screen space. Lyricist Ashish Pandit sparks love with Mohit Chauhan weaving the magic once again after his wonderful run in 'Rockstar'. Shreya Ghoshal with her sugary voice is at her usual best and reminds of 'Is This Love' from 'Kismat Konnection'. It's highly addictive and has a strong Repeat value. Sheer Brilliance!

Pritam brings on his regular and trusted talent Nikhil D'souza behind the mike for the Reprise Version of "Dil Yeh Bekarar Kyu Hai" which is completely different in treatment and there were various instances before where Pritam has chosen Nikhil D'souza above some more established/dependable artists like a K.K or Mohit Chauhan and once again this composition shows the immense trust he embarks on the shoulder of Nikhil D’souza. Debutant Priyani Vani (also the wife of lyricist Ashish Pandit) replaces Shreya Ghoshal but sadly had very little to do in this male dominated number. The instrumental piece in the 2nd interlude is opulent, although some change of lyrics would have added that extra zing but anyways it's a composition which one would love to hear in loop for hours at a stretch. Strongly Recommended, Both Versions!

"Dil Yeh Bekarar Kyu Hai- Remix" wasn't required at all and can be skipped.

Pritam carries on his good run after 'Desi Boyz' with this soundtrack which should end the year on a good note for him. He has been receiving a lot of criticism lately for his abundant Reprise versions in a single soundtrack, but that's a trademark style of the composer and one should have no problems with the repeated version unless he opts for a new singer every time with some change of lyrics here and there. Mausam was one such OST where all the three versions of 'Ik Tu Hi Tu Hi' had variety and showed the hard work he puts in for every version. Anyway, Players certainly got two chartbusters in 'Dil Yeh Bekarar Kyu Hai' and 'Kyu Dooriyan/Jhoom Jhoom Ta Hu Main' (Siddharth Basrur version) with 'Buddhi Do Bhagwan' to follow very soon. But it misses a theme track that is very much required for an action thriller, that too a Hollywood remake of ‘Italian Job'. 

I Rate it 3.5 out of 5


Find the Edited Version @Planet-Bollywood

Don 2 Music Review

 Rating: ★ ★ ★

A sequel, that too of a Remake Version develop humongous expectations, be it the soundtrack or the movie, and nothing short of some elegant and stylish stuff will be acceptable by the music buff's. Don 2 comes from the house of 'Farhan Akhtar' (Director and Story Writer) who shot to fame with his debut movie 'Dil Chahta Hai' almost a decade ago, from thereon, it's been a team- Shankar-Ehsaan-Loy for the Music Direction and his father Javed Akhtar for penning the lyrics and no wonder the team has produced some smash hits in 'Dil Chahta Hai' (which was an outstanding OST of its time- 2001); 'Lakshya' (2004) and 'Don-The Chase Begins Again (TCBA)'  (2006) and now with Don 2, one expects another thrilling and sizzling outing from S-E-L and the Akhtar's. If one looks back to 2011 and 2010, one will realise that the past two years have not been prolific for S-E-L, "Aarakshan" and "Game" this year proved to be a huge disappointment while 'Patiala House' and 'Zindagi Na Milegi Dobara' was simply good and had nothing Jaw dropping or monumental for which the composers have been known all these years since they made their debut with 'Dus' in 1997. So, let’s see if the composers put an end to all the criticism they have been facing from past 2 years!

The proceedings starts with "Aa Raha Hu Palat Ke", a 35 sec monologue by Shahrukh Khan (SrK) which marks the return of Don and tries to set the mood for the rest of the songs.

The second track, "Zara Dil Ko Thaam Lo" starts with Anusha Mani ('Lazy Lamhe'-'Thoda Pyar Thoda Magic' fame) knocking at the doors of 'Aaj Ki Raat' from 'Don-TCBA'. The chorus is a bit loud while the musical arrangements maintains the same rhythm and pitch during the whole song but Vishal Dadlani entry after 2 minutes and SrK stylish onscreen presence makes it interesting and brings an evil attitude to the song which is being promoted aggressively and is sure to get up the charts with time. But also there is nothing innovative in the lyrics department, moreover, the 2nd antara disappoints which leads to an average start and much below the standards of S-E-L.

It's innovative, it's fresh and certainly the best of the 3 originals, "Hai Yeh Maya" starts with retro-techno beats and the talented, Usha Uthup behind the mike. It's been 2 decades in the industry when she sang 'Koi Yaha Aaha Nache Nache' in 'Disco Dancer' and recently 'Darling' in '7 Khoon Maaf', and her voice still has the power and exuberance to thrill the listeners. A perfect choice of singer for an enthralling composition like this which will find its place at various junctures in the movie. It refreshes the memories of Asha Bhonsle-R.D.Burman classic 'Jab Andhera Hota Hai' back in 1972 and certainly will grab ears post the movie release if not now.

"Hai Yeh Maya Remix" by DJ Shane Mendonsa is a mix of various arrangements and gives a club feel to the song. Too much experiment, I would prefer the original.

Some more retro, some more techno, that brings on the 4th track "Dushman Mera", which seem to be a perfect climax outing with Priyanka Chopra and SrK. Sunitha Sarathty starts off well (remember 'Khuda Hafiz' from 'Yuva'-2004), joined later by Shankar Mahadevan who sounds different from his usual style (somewhat like Kishore Kumar, anyone?). The composition could have been much better if S-E-L had tried to come out of the 'Don' zone, the lyrics are lame and there is hardly any innovation anywhere, on the flip side though, a terrific visual treat will blast a dynamite onscreen. Wait for the video!

Sunitha Sarathy perfectly brings on the thrill element with her lines-'Har Dil Me Hulchul Hai, Aaya Hai Dekho Kaun' at very start for "The King Is Back (Theme)"and from thereon, electrifying guitar riffs, some pretentious keyboard arrangements will take you for a roller-coaster ride. It takes forward the majestic 'Don Theme and at 2.30 it completely goes in the 'Dushman Mera' zone. A perfect ringtone material.

"Mujhko PehchaanLo", a reprise/reconstructed version of ‘Main Hoon Don' from 'Don-TCBA' minus the chorus. It's animated and dark and will disappoint those listeners who compare it with the original version by Shaan. K.K here brings on the required attitude and arrogance alongside some powerful drum beats and guitar strumming. Instead of going for something new, the director sticks to the old theme and in my opinion  it shouldn't be wasted in the starting credits.

What disappoints is "Mujhko Pehchaan Lo Remix" (is it actually a remix?)which suffers from an infinite loop of 'Don Ko Pakadna Mushkil Hi Nahi, Namumkin Hai' during the whole 5 minutes and Srk's continuous chanting of Don..Don in the first interlude irritates. 3 minutes later, you will rip off your hairs for sure. Skip Skip!

The last track/instrumental is named "The Don Waltz" where Caralisa Monteiro throws in some opera-ish- notes (only for 20 sec though). The violin loops reminds me of some Tom & Jerry series and refreshes the scene from the previous ‘Don’ where SrK was shown taking a bath in his bath tub and watching Tom & Jerry. A good innovative attempt but one wonder how and when the director will use it in the movie (may be for some Ballet Dance sequence or may be something else).

 

Don 2 doesn't lives upto the expectations which were sky high after the huge success of 'Don-TCBA', it's a soundtrack that will work along the movie and will take the story forward, but as an audio alone it doesn't delivers. S-E-L plays safe by continuing from where they left in the previous venture of Don and there is hardly any innovation, Javed Akhtar lyrics are usual and lack the artistic touch, as a result 'Hai Ye Maaya' is the only good thing about Don 2 as of now, rest other will gain popularity post the movie release.

I rate it 3 out of 5!
Edited Version @ Planet-Bollywood

Ghost (2011) Music Review

Rating: ★ ★ ★ 1/2

An unknown/small banner very often provide some good tunes, and if the lead actor is the controversial Shiney Ahuja (who was last seen in 'Hijack' -2008) alongside Sayali Bhagat, that too in a horror flick, one expects a below average score from the movie. Moreover, except Kumaar, the other two lyricist- A.M.Turaz and Sandeep Nath doesn't quite excites the listener and Sharib-Toshi's (Music Directors) last release 'Phirr' (2011) offered nothing special on the musical front, leave alone the movie. Period. The talented composer duo is in with a surprise package with 'Ghost', which not only exceeds the expectations that one has from the music, but also provides some handsome stuff in the five originals. 2009 saw Sharib-Toshi in full fledged form, where they provided some outstanding compositions in 'Jashnn' , some good tracks in 'Jail' and who can forget the 'Maahi' from 'Raaz- The Mystery Continues'. So, let's see what magic they can create this time!

The proceedings starts with a haunting, melodious composition "Jalwanuma" by Toshi and Akram Sabri which needs few hearings to settle down. The high pitched voice of Toshi reminds of 'Maahi' and it’s real hard to recognise the voice of Akram Sabri except in the prelude. It’s a promising start considering the horror tag attached to the movie and should do fine among the listeners, but certainly it lacks the energy of an opening track. Decent Hear altogether.

"Aaja Khatam Sabr" is a situational naughty-night track where Sayali Bhagat will be seen luring Shiney Ahuja. Composers play safe by opting Sunidhi Chauhan for a composition like this. The lyrics are stereo-typed (A.M. Turaz) and words like ‘Jaaniya’ ‘Maahiya’ sounds so common and have nothing new. It should do well along the film's narrative and could make up for a good video if picturised well.

Sharib-Toshi produced a beautiful track "Aaya Re" in 'Jashnn' and the next track "Salaame Salaame" slightly falls in the same corridor. It’s a good attempt with Sharib's backing vocals (he does a 'Jayesh Gandhi' in the alaap) and the charming voice of Shaan alongside some rapping by BoB- The Rapper (remember 'Make Some Noise For The Desi Boyz'). But considering it as a dance number, it’s not that foot tapping and grooving, and neither the lyrics by Kumaar creates any impact. I doubt whether Shiney Ahuja will be able to pull this off and create any kind of sensation with the visual. Skip!

Till now, listeners have lost all hope, but the last two tracks are pure gem and displays the trademark rock-love genre of Sharib-Toshi, for which they have been praised earlier, case in point, 'Sainya Ve- Rock Version' (Jail), 'Maahi- Rock Version' (Raaz- The Mystery Continues). First in line is "Dil Ke Liye" by Javed Ali (who shot to fame with A.R.Rahman 'Jashn-E-Baharaan' in the magnum opus 'Jodha Akbar'-2008) and if you loved the singer previous classic 'Ek Din Teri Raahon Mein' from 'Naqaab'-2007, you are sure to get spellbound by 'Dil Ke Liye' which is melodious and at the same time has musical arrangements which deserves attention (especially the guitar strums in the 2nd interlude). Priya Patidar supports well for the 'O-Ya-E-Yo' and some alaap portions at the start and in the interludes, also Sandeep Nath impresses in the lyrics department. Overall, a song that the movie should bank on for promotions. Must hear!

The best track "Kaha Hai Tu" awaits the listeners at the very last for which the talented Sharib Sabri comes behind the mike. The guitar riffs at the start and then at 0.35 gives a feeling of Déjà Vu and reminds of 'Aadat Si Hai Mujhko- Rock Version' by the band 'Jal', but it's a mere coincidence as this feeling only lasts for 20 seconds and from there on, Sharib's high-pitched vocals and Kumaar lyrics creates a rock ribbed aura that shouts- 'Once More!'. Take special notice of some elegant notes by Sharib at 3.43. It’s a composition that should be promoted aggressively and no wonder if a special video is being released for the film's promotions, considering the past record of Shiney Ahuja in 'Tu Hi Meri Shabh Hai' from 'Woh Lamhe' and some tracks in 'Life In A Metro' and 'Gangster'. Don't dare to miss this masterpiece!

Wait for the day when Sharib-Toshi gets an opportunity to work with a big banner, although they have worked with the Vishesh Camp (Bhatt’s) previously, but unfortunately both movies went dhadaam at the box office and so the soundtrack never got the appreciation it deserved, especially in case of 'Jashnn'. This time also, they have provided some graceful and rocking composition and I doubt if at all it will reach the masses and gain popularity. The best is yet to come from the talented house of Sabri brothers!
I rate it 3.5 out of 5 (half star only for the talented young borthers)

Edited Version @ Planet-Bollywood

Ladies V/s Ricy Bahl Music Review

Rating: ★ ★ ★

A Yash Raj banner, a hot-successful-sizzling pair of Ranveer Singh and Anushka Sharma, add to that hit combination of composers Salim-Sulaiman and new age Lyricist Amitabh Bhattacharya (A.B.), you have Ladies V/s Ricky Bahl. The team provided an outstanding score in 'Band Baaja Baraat' (BBB) last year and without a doubt, expectations are sky high this time, so nothing less pleasant and rocking than their previous soundtrack will be accepted by the listeners. Moreover, a video with Ranveer Singh looking hot and hunk as never-before in the song 'Aadat Se Majboor' have already generated immense curiosity and buzz, so are these expectations met? Can the combination outdo their previous work?..Well, let's dwell inside the 4 originals along with 1 instrumental and 2 remixes.

"Aadat Se Majboor"-A trademark Salim-Sulaiman and Benny Dayal (Lead Vocalist and a regular with the composer duo) composition opens the soundtrack which has a young-urban feel attached to it, thanks to some effervescent lyrics by A.B. It's an attitude song which justifies the title Ladies V/s Ricky Bahl and defines the character of the protagonist with an unexpected but at the same time impressive rap portion by Ranveer Singh. It works as a dance number with rigorously punched beats getting in tandem with Benny Dayal perfect dictions and carries on the playboy, flirtatious mood throughout the song. A definite and instant chart scorcher.

The "Aadat Se Majboor Remix" is a complete mess and wasn't required for an already leg shaking number. Original will find its place over the remix undoubtedly.

The music from Yash Raj Banner/Films (YRF) has a certain template feel to it and the next track "Jazba" carries the YRF brand with much ease, as a result at places reminds of 'Dhadak Dhadak' from Bunty Aur Babli (2005) and more specifically a hint of 'Ek Hockey Dungi Rakh Ke' (ChakDe India) can be felt in the 'Zara Sa..Zara Sa' part. Shilpa Rao after having sung various songs for Priyanka Chopra, pitches perfectly for Anushka Sharma. Salim Merchant with his supporting vocals provides nothing new and rather similar to what he has been doing since his 'Fashion' (2008) days. The song lacks the punch, A.B. tries to create the same impact as in 'Tarkeebein' (BBB) through his lyrics but fails to develop the required Jazba, only Anushka Sharma onscreen presence makes the composition worth a hear. The song will be forgotten easily post the movie release.

Again too much techno addition and extreme orchestra killed "Jazba-Remix" where Anushka Manchanda replaces Shilpa Rao and interestingly its real difficult to point out the differences in both female voices. Anyways, Sukhwinder Singh was wasted in 'Dum Dum-Remix' (BBB) and now Anushka Manchanda joins that list. Skip!

The Violin arrangements at the very start for the next track "Thug Le", which has Vishal Dadlani and Shweta Pandit behind the mike, develops expectations as one craves for another 'Dum Dum' outing from the composer duo. Sadly, it has everything painfully familiar and the lyrics are below average with a bit too simple tune. A vociferous voice like Vishal Dadlani has been wasted and one may call it a mediocre attempt of the song 'Ladki Kyu' from Hum Tum (2004), but A.B. fails to land on the creative field of Prasoon Joshi (Lyricist for 'Ladki Kyu'). It may work alongside the film's narrative if provided enough publicity attached with a sparkling video featuring the lead pair.

A sequel to 'Ainvayi Ainvayi' is what awaits the listener as one plays on "Jigar Da Tukda", for which Salim Merchant takes centre stage with composers hot favourite Shraddha Pandit. Thankfully the much talented A.B. is back on track with his snooty and engrossing lyrics filled with English and Hindi wordings. The Punjabi feel with some refined Bhangra arrangements makes up for a perfect Jugalbandi dance number and make no mistake, it will be majestic when it makes big on the silver screen. Agreed that it lacks the spunk and fun of 'Ainvayi Ainvayi' but still is quite capable becoming a chartbuster in the coming days. Go for it!

"Fatal Attraction", a stylish multi-layered techno instrumental which will cast a spell on people who love instrumentals and if I am not wrong the elegant backing vocals belong to Natalie Di Luccio's (also gave backing vocals in 'Aadha Ishq' from BBB). The Flute renditions at .45 to 1.00 and then again at 2.20 to 2.35 makes one stand and applaud the composer duo and more specifically the man behind the Flute- Bravo! It will be interesting to see if it is wasted in the starting/end credits or used at various junctures in the film's narrative.

Salim-Sulaiman's previous work 'Aazan' was like You-Blink-and-I-Go stuff while Love BreakUps Zindagi had only few melodious tracks and this time also they fare well below the desired expectations. The soundtrack of Ladies V/s Ricky Bahl is no way near to what Band Baaja Baraat offered but aggressive promotions and the sizzling chemistry between Ranveer and Anushka will make sure it doesn't vanishes so easily. 'Aadat Se Majboor' is already a big hit and 'Jigar Da Tukda' is likely to follow once the video splashes.

 I rate it 3 out of 5


Edited Version @ PlanetBollywood

The Dirty Picture- Music Review

Rating: ★ ★ 1/2

Vishal-Shekhar, who have a proven track record with 'Retro' music in Om Shanti Om (2007), have composed four original, dirty and raunchy tracks for The Dirty Picture which is in news being a biopic on actress Silk Smitha (Played by Vidya Balan) who died mysteriously at the age of 36. The promos have already catched quite a lot of eyes due to Vidya Balan going audacious as never before. Rajat Arora takes up the job of lyricist and one gets a mixed feeling as 'Chandni Chowk To China' (2009), being the only previous work by him (as a lyricist), was an ordinary score altogether, but as soon as the name Milan Luthria comes forward for the Director's seat, expectations rises, reason being his past record with Vishal-Shekhar in 'Taxi Number 9211' (2006) and who can forget his last year released Once Upon A Time In Mumbai (OUATIM) for which Pritam did a brilliant job, songs of which play till date. The composer duo of Vishal-Shekhar had a silent run in 2011, with 'Ra.One' being the only saviour for them as compared to some blockbuster soundtracks last year, so, let's check out whether they can re-create the retro magic or not!

As the first track "Ooh La La" starts with the chorus in the background, one is straightaway taken back to an era of Lakshmikant-Pyarelal and R.D.Burman in the 1980's and as soon as Shreya Ghoshal joins in alongside Bappi Lahiri, it makes up for a perfect sultry seductive outing as expected out of a soundtrack which has 'Dirty' written all over it. Comparing it with the composer’s previous composition 'Dhoom Taana' in 'Om Shanti Om' would be unfair as both the composition have nothing much in common expect Shreya Ghoshal and the Retro tag attached to them. The 2nd interlude is worth hearing with some trademark disco arrangements that will take you back to the I am a disco dancer days. A video picturised on Nasseerudin Shah and Vidya Balan is being promoted aggressively and undoubtedly catching lots of eyes. Bappi Lahiri brings in the disco flavour with much ease and creates the same magic as he used to does with Mithun Da 2 decades ago. Get Dirty with Ooh La La!

"Ooh La La Dhol Mix" works well as the only remix in the soundtrack. DJ Amyth takes the fun element to another level with some perfect Punjabi tadka. Go for it!

As one moves on to the next track, one can hear a similar tune as in 'Saathiya' or 'Badmaash Dil' (Singham) at the very start but as the song progresses, Milan Luthria makes his presence felt in "Ishq Sufiana" crooned by Kamal Khan, Oh Wait!..Don’t confuse the artist with 'O Oh Jaane Jaana' (Pyar Kiya To Darna Kya) fame pop singer 'Kamaal Khan', the debutant is a contestant from last year SaReGaMa and has done full justice to a composition which falls under the forte of Rahat Fateh Ali Khan. Although the lyrics doesn't quite create the same impact as in 'Tum Jo Aaye' from ''OUATIM''  but Emraan Hashmi screen presence and the soothing melody makes up for repeated hearings and will be a difficult one to keep away. While one waits to see it rise in popularity in days to come, one can be certain that it will enjoy a long shelf life.

The composers confidence is clearly visible as the song returns back in "Ishq Sufiana- Female" where Sunidhi Chauhan takes centre stage, but sadly it offers nothing different except the female voice, wonder how the song would have sounded in the voice of the maestro Rahat Fateh Ali Khan!

The next lusty track Honeymoon Ki Raat with some cheesy and erotic lyrics like ''Kaamdev Ka Sutra’’ doesn't quite lives upto the expectations (as far as the audio is concerned). Sunidhi Chauhan takes a complete U-Turn from the Ishq Sufiana zone and fills the song with her sexy, vivacious tone, but it misses a hook line and moreover, the disco arrangements and synth effects don't create the same impact as in "Ooh La La". On the flip side though, it’s a kind of composition that requires a brilliant picturisation and Milan Luthria very well know where and how to use his cards and I think a video on Emraan Hashmi and Vidya Balan will ignite fire onscreen. Of course a track like this does have a restricted audience for itself but in the context of the film, it should fit in pretty well.

The next and last track "Twinkle Twinkle “starts off with some suggestive and in-your-face prelude by Shreya Ghoshal about the Dil of aged gentlemen still being young. A much better composition this time which starts where "Ooh La La" ends and Shreya Ghoshal carries on the same 'naughtiness' in this one which defines the film's main character and may be used as an introductory item number. Rana Mazumder in his short interlude pays homage to an era dominated by R.D.Burman. Lyrics and Vocals dominate the proceedings in this 3 minute number. Wait for the video!

Vishal-Shekhar does a good job for a soundtrack that portrays the Dirtiness very well and each composition will take the film's narrative forward. 'Ooh La La' and 'Ishq Sufiana' strikes instantly while the fate of other two depends upon how they are promoted pre-release. On the whole, there is nothing much to cheer for the listeners who swear by quintessential Bollywood scores. If compared to soundtracks of Milan Luthria's previous directorial ventures, The Dirty Picture fares well below the standards. Listen only for the effort put in by Vishal-Shekhar.

I rate it 2.5 out of 5

Find the Edited Version @ PlanetBollywood

Desi Boyz Music Review

Rating: ★ ★ ★ 

Pritam Chakrobarty, Irshaad Kamil, Amitabh Bhattacharya and Kumaar- When such names are attached to a soundtrack under the head 'Music Director' and 'Lyricists', expectations of the listeners goes sky high, add to that vibrant energy onscreen by Akshay Kumar and John Abraham alongside Deepika Padukone and Chitrangada Singh, the result is Desi Boyz, which promises to be an out an out entertainer with a concept of 'Male Strippers', after the 'Gay'ism' in Dostana (2008). Coming to the combination of Akshay Kumar, John Abraham and Pritam, last time these three people joined hands, they created 'Garam Masala' (2005) which was a good soundtrack considering the time of its release, and now with the title track Make Some Noise For The Desi Boyz already making rounds on the television, one expects it to be another 'Hot' and 'Sizzling' outing. Well, let's check out the 5 originals with 1 Reprise and 4 remix.

Krishnakumar Kunnath (K.K) has been a hot favourite for Pritam when it comes to soft romantic numbers, but this time he allows him to make some noise in the first (and the best of the lot) track, Make Some Noise For The Desi Boyz alongside Bob- The Rapper. Tighten your seat belt and take a ride of this catchy, lively, peppy track which sees some spirited singing by K.K., who proves once again that his voice suits all the genres, be it 'Tadap Tadap Ke' (Hum Dil De Chuke Sanam) or the beautiful 'Guzaarish Hai Ye Jo Baarish Hai' (Guzaarish). It's a perfect start for a young soundtrack like this and defines the overall theme of the movie with some racy and urban lyrics written by Kumaar (take special notice to the reference of 'Lady Gaga'). The 2nd (2.15 to 2.42) interlude with some electrifying guitar strums deserves an applaud and the antara afterwards just provides an immaculate end to this 4 minute entertaining number. Rollicking Start indeed!

To take things to next level, there is Make Some Noise For The Desi Boyz Remix which starts with English Raps and thumping beats. Apart from the English Rap, the song has nothing to cheer for as the original had enough pace and beats to make one tap their feet. Still a good remix that could gain popularity in discotheques and clubs in the coming days, although I would still go for the original composition.

Mika Singh and Shefali Alvaris- as these two hugely diversified artists join in, one is curious to know how the 2nd track Subha Hone Na De is been treated but the end result is not that satisfactory as expected from the combination of Pritam and Mika, who have numerous hits to their name. It starts with mediocre keyboard arrangements trying to give a club like feel with Mika Sing crooning in not-so-Mika tone alongside auto tuned voice of Shefali Alvaris. Unlike Pritam other instant-striking compositions, this one takes some time to settle down and should be promoted well considering the situational tag attached to it. Kumaar does an average job as a writer especially if compared to the title song. Post it's video release, it may attract some ears but I doubt whether it will enjoy a long shelf life.

The song returns back at the end as Tu Mera Hero with the same singers behind the mike and one wonders if at all that was required, the lyrics, music arrangements doesn't change a bit. Looks like Pritam was too confident about the composition but sadly he fails to deliver this time by providing a version which has nothing new in it and seems unnecessary. Disappointing!

Subha Hone De Remix starts with some 'Beep' English Rap followed by a usual remix prototype. Wonder how the song would have sounded if the tempo has been increased a bit in this version. All in all, the remix brings on some respite with good variations in the interludes. Go for it!

Remember 'Chor Bazari' from Love Aaj Kal; hear Jhak Maar Ke by Pritam's find Neeraj Shridhar and 'Ting Ling Ling Ling' (Rockstar) women Harshdeep Kaur. The start gives a heard before feeling of some song of Pritam but nevertheless it has high repeat value and will find a good place in the list of 'Roothna-Manana' songs. Irshaad Kamil lyrics provide a perfect tadka to this Punjabi outing. Harshdeep Kaur voice is fresh and is immaculate for the Punjabi genre. The video with John Abraham alongside his fiancée (in the movie) Deepika Padukone has already gained lots of eyes and will fit in well during the first half of the movie.

Not surprisingly the song has a Jhak Maar Ke Remix where the pace and tempo increases with added bhangra beats. Pritam brings a change as he brings on Harshdeep Kaur for both the 'Antaras' compared to a single one in the original, also the lyrics are complete different in the first 'Antara' which adds that extra zing and variety, as a result the Remix emerges as a winner!

"I enjoy singing in Akshay Kumar's voice the most"- Sonu Nigam.

Well, Sonu Nigam fans will go bizarre after hearing Allah Maaf Kare where he is accompanied by Shilpa Rao who had sadly nothing to do at all (merely 2 lines). Sonu Nigam is heard in his trademark high pitched voice after his 54 voices feat in the title song of Tees Maar Khan last year. Any other day and the composition would have been grabbed by Himesh Reshammiya by both hands, although many would call it a mere sequel to 'Razia Gundo Me Phas Gayi' from No Problem but keeping aside all comparisons and views, it will strike an instant chord especially among the Sonu Nigam fans. Irshaad Kamil lyrics are simple and enjoyable.

Allah Maaf Kare Remix wasn't required and adds a tail to the overdose of remixes.

   

"Kaano ko kheech ke 2 laga de na,

Na-Samajh ko zara samjha de na,

Itna to Haqq banta hai mujhe ek chance to de de Zindagi."

The musical arrangements at the start of the next and last track, Let It Be are a perfect replica of Shankar-Ehsaan-Loy's ''Loser'' from Housefull (2010) and as Shaan starts crooning in his usual soft-love tone, memories of his recent outing in 'I Love You- Unplugged' from Bodyguard flashes. The USP of the composition comes in form of some attention-seeking lyrics written by immensely talented Amitabh Bhattacharya who is known more for some bold lyrics in Delhi Belly and No One Killed Jessica. It's a trademark Pritam composition, rich in melody which will fit in well along the narration of the movie.

This is turning out to be one real good year when it comes to romantic/melodically rich music being churned out in Bollywood. Pritam does a fair job for Desi Boyz where the focus has been more on the situational numbers rather than opting for fun entertaining numbers except the title song which will gain more and more popularity as the time progresses, although there is no jaw-dropping moment in any of the 5 original compositions. After Mausam, expectations from Pritam were enormous and Desi Boyz just didn't fulfil those. It's a not a kind of soundtrack that will be remembered for months to come, it will only find its place in the music devices of the listeners till the movie hits the Big Screen. Still one could lay their hands on this if the Rockstar addiction has faded!

I rate it 3 out of 5

Find the Edited Version @ PlanetBollywood

Rockstar Music Review

Rating: ★ ★ ★ ★ ★

There are musicians and there are magicians and then there is 'A.R.Rahman'. Music release of an A.R.Rahman soundtrack is an event now. Year 2008-09-10 saw some of his best works in Jodha Akbar, Ada..A way of Life, Jaane Tu..Ya Jaane Na, Ghazini, Delhi-6 and Raavan (not to forget the overhyped Oscar winner 'Slumdog Millionaire') but his last OST Jhootha Hi Sahi (2010) was a 'thanda' affair and not even an inch close to what Rahman is known for. Now, he is back with the much awaited soundtrack of Rockstar and mark my words; with a bang. Expectations from the music are gargantuan to say the least and reasons are plenty...

a) It’s an Imtiaz Ali (Director and Writer) product whose movies releases at a span of 2 years, Socha Na Tha (2005), Jab We Met (2007) and Love Aaj Kal (2009) and his last 2 ventures were blockbusters both on the musical and movie front.

b) Combination of Irshad Kamil (Lyricist); who already has numerous hits to his name this year; and Imtiaz Ali, something that always works, add to this 'Musical Carnage' by the maestro A.R.Rahman , the product is bound to be a blast machine.

c) "Rockstar is a character driven film and as one can guess from the title, there will be lots of guitars"

                                          -A.R.Rahman

'Palang Todd'; that's what the soundtrack of Rockstar is all about with 14 pure musical masterpieces including a 'trademark Rahman' Shehnai-Instrumental. Mohit Chauhan who is known for his 'masakalli' renditions is the voice of Jordan (Ranbir Kapoor) in the movie and notably has sung 9 out of 14 tracks and every single piece is worth checking out. However, if one doesn't have an ear for Rahman tunes, then it needs at least five to six hearings unless it settles down and grows.

So, Sit back, Relax and travel through the Field Of Dreams of A.R.Rahman, Irshad Kamil and Imtiaz Ali!

It starts with a subtle, airy and breezy Phir Se Ud Chala, a perfect morning track, inclined more towards the unplugged side for the first 2.5 minutes (don't miss the Mandolin Strums), that brings forward some heavy, thought-provoking lyrics. A.R.Rahman usually opens the soundtrack with a track where Lyrics overpowers the Music and same is the case with Phir Se Ud Chala which will take some time to settle down but will sure be applauded if heard with all ears. Mohit Chauhan is at his usual best, especially when the song picks up some pace after 3 minutes and then ends on with the same Kashmiri-Chorus that it started with. Not an opening that one would have expected from the most anticipated rock-ribbed soundtrack of the year, but nevertheless a pure composition that certainly marks a good start.

'Jo Bhi Main, Kehna Chaahu, Barbaad Kare, Alfaaz Mere', WOW! These are the extracts from the next track Jo Bhi Main which belongs to the genre of soft-rock with mesmerizing guitar strums and drum arrangements and as it seems from the video, it sees the growth of Jordan as a Rockstar in the movie. The way it starts with Mohit Chauhan crooning 'oo yayaya ya ya', one is bound to make comparisons with 'Pichle Saat Dino Mein' from Rock On (remember the interaction Nana-Nanana Nana-Nanana). Period. Forty seconds into the song, all the parallel lines and comparisons ends and what follows is a magical composition which has a perfect blend of Mohit's voice and Irshad Kamil lyrics with a high 'Repeat value'. A more of a lounge number, which sees yet another an instance of an 'antara' turning out to be even better than the 'mukhda'.

Remember Hasrhdeep Kaur, the voice behind Ik Onkar from Rang De Basanti, who this time sings a Romantic-Punjabi cum Guajarati folk number, Kateya Karun, supported well by Sapna Awasthi. 'Ting ling ling ling Ting ling ling' at the very start promises something different and Irshad Kamil almost does a Gulzaar with lyrics like 'Kateya Karun, Tera Roon, Main Saari Raat Kateya Kateya Karu' (suggesting that the girl would do anything for the boy, be it spinning the cotton whole night). It's a breath of fresh air in an era where love songs are getting stereotyped and more importantly male dominated. Decent hear!

A.R.Rahman, Javed Ali and Mohit Chauhan - when these three artists join for a song, expect nothing less  than an epic classical and Kun FayaKun; which means Be and It is; is a divine composition which will go down in the history of devotional and spiritual qawwali's and can even challenge Rahman's very own Khwaja Mere Khwaja from Jodha Akbar. When Rahman sings, consider it the very best. Javed Ali with his satisfactory voice reminds Arziyan from Delhi-6 and as Mohit Chauhan joins at 3.20, it creates an aura that cannot be described in words, pure magic! The maestro intelligently uses Tabla, Harmonium with Human claps plus guitar strumming in between and the impact is more powerful when it is heard alongside the video (an official three minute video has been released) in which the beauty of Nizamuddin Dargah has been captured. Only A.R.Rahman can create such devotional tunes which leave the listeners in trance and has a touch of self-realisation. Don't miss this legendary work from a legendary artist! (Take special notice of the last 2 minutes of this 8 minute number-SPEECHLESS!)

Innovative and Impressive with a capital "I", that's what Sheher Me, the fifth track is all about. It's about a studio recording with different Antonations for the same lines by Karthik (remember 'I am in love' from Once Upon A Time In Mumbai or 'Behka Main Behka' from Ghajini) and Mohit Chauhan. The voice of Karthik (as per the movie) portrays an animated, usual singer who is already established and Mohit Chauhan, the voice of Jordan, is carefree, stylish and casual, as a result considered a bit amateurish. It will be liked instantly and as per the percussions in the interludes- 'Lyrics to dhoom macha dega U.P., Bihar mein.’ Spot on!

'Chitthi Daali Thi Aaunga Main Tere Ghar,

Mail Bhi Kiya Tha Maine Teri Id Par.'

Talking of Vocals, if it wasn't for the credentials, never in my dream I could have thought the other voice to be of Karthik, he sounds so different, but Mohit's voice is sparkling and intentionally overpowers Karthik voice. Addictive is the word for this number!

Drums, Violins, Guitars, Mandolins, Mohit Chauhan.. That is Haawa Haawa for you, a Spanish-Salsa number in Rahman Style with some foreign singers Viviane, Tanvi, Suvi Suresh and Shalini for the additional vocals. It's a 'drink and dance' number with some conversational lyrics which will make it an interesting watch once the video is out with a sizzling chemistry between the lead pair, Ranbir Kapoor and Nargis Fakhri. Although few may call it a mere sequel to Rahman earlier tune 'Mayya Mayya' from Guru (2007), it's full of surprises with Mohit Chauhan experimenting more and more with his voice. Dance to the tune of Haawa Haawa this season folks.."chikichiki chikichak chaara"!

Up next, Aur Ho is a trademark A.R.Rahman composition and to be more specific, it knocks at the doors of 'Mera Yaar Mila De' from Saathiya. Mohit Chauhan steps in the shoes of Rahman and it was a surprise to hear his voice sounding quite similar to Rahman at places. Take special attention to Alma Fervovic who makes her presence felt with some beautiful renditions at the start and then later in the interludes, with the flute being used beautifully along with some high and low (read Octave) notes. A situational number which could have been better but nevertheless will fit in well along the narration of the movie.

As one lands on the 8th track, A.R.Rahman takes the centre stage alongside Mohit Chauhan for the second time in the soundtrack with Nadaan Parindey, which is filled with acoustic and electric guitars (Saadda Haq is yet to come). It's the call of home to the lead protagonist to come back home with Mohit Chauhan bringing an altogether different variety to the song. It will surely take some time to grow and the audio gives me a feeling of a live concert to be picturised on this one. 

Kavita Krishnamurthy Subramanium renders the next composition, Tum Ko, which reminds you the old days of A.R.Rahman (early 90's) with her. It will win hearts with some profound Tabla taals (beats) and Sarangi dhuns. It could have very well fallen under the roof of Madhushree (voice behind 'Tu Bin Bataye ' from Rang De Basanti), a Rahman regular. On the flip side though, one can easily relate the song to the female portions in 'Tu Meri Dost Hai' from Yuvraaj. A good soothing track which adds variety and versatility to an album which has rock written all over it.

I hear music when I close my eyes. When I open my eyes the music does not go away. I often can't follow the words that people speak but I get the music of their soul. It's good that way, because words can lie but music cannot. Pleasant or disturbing, music is always the truth.

-Jordan (Ranbir Kapoor in Rockstar)

It’s mad, it’s wild, and it’s strangely catchy, Saadda Haqq, Aithe Rakh portrays the anguish and audacious Jordan in the movie and is no short of being an anthem in the coming days, especially in case of protests. It takes a bit (1.30 minutes) of time to set the mood and the high point comes in the form of some bold lyrics thrown at society with Mohit Chauhan in a never-heard before high pitched voice which leaves the listeners stunned. The highly energetic Electric Guitar (Kudos to Rahman find Orianthi) and Drum Beats (Oscar Seaton) provides an adrenalin rush and sweeps you off your feet. It's already a rage and will grow more and more with time. Words fall short for a composition like this, so plug in your earphones, crank up the volume and sing the theme song-  

'Saadda Haqq, Aithe Rakh’!

There was Tum Ko and now come Tum Ho by Mohit Chauhan and Suzzane D'Mello, a track almost similar in tune and arrangements minus the Tabla. After such a powerful tune in Saadda Haqq, it will be difficult for the listeners to digest a slow-sad number like this as it again requires multiple hearings to get into your head but once it gets into you, it will be difficult to keep away. Although it looks like a leftover from A.R.Rahman previous work in Yuvraaj (2008) but still both the versions should certainly enjoy a shelf life, considering how they are used in the movie.

After 11 scintillating compositions, comes Instrumentals followed by a monologue.

First in line is Tango For Taj, which is on the same lines as the previous track Haawa Haawa. Keyboard, Harmonica, Claps makes up for a pleasant outing. Go for it if you love instrumentals.

Now there is a special gift from A.R.Rahman, The Dichotomy of Fame which features Balesh on Shehnai and Kabuli on Guitars. The use of various instruments along with intellectual use of Shehnai provides a 'WoW' factor, which is a treat for the music listeners and especially for those who understands what good and pure music is. G.E.N.I.U.S!

The Meeting Place is a monologue which lasts about 70 seconds with a short monologue in the voice of Ranbir Kapoor which would raise questions about the climax of the movie. Nothing much to say about this one.

Vocals

Well, it would have been a tough decision to choose a voice for Ranbir Kapoor considering the high standards Imtiaz Ali maintains and the basic theme of the movie being a blend of sufi, rock and qawwali. A.R.Rahman and Imtiaz Ali strikes gold by opting for Mohit Chauhan, who is known more for his sweet-harmonious voice that suits the romance/sad genre, But after hearing the soundtrack of Rockstar (especially 'Saada Haqq' and 'Haawa Haawa'), one gets a taste of the artist's versatility and it’s hard to believe that the same voice was behind Yeh Dooriyan (Love Aaj Kal). Apart from Mohit Chauhan, there was not much scope for other artists to step in but still Harshdeep Kaur did a fair job with Kavita Subramanium making an impressive comeback.

Lyrics

2011 has been a Lyrically Rich year named to Irshad Kamil for some of his outstanding work in Mausam, Mere Brother Ki Dulhan, Rascals and Kuch Love Jaisa with Desi Boyz still pending. Now with Rockstar, he proves his menace once again as he join hands with A.R.Rahman for the first time. It's been eight years as a lyricist for Irshad Kamil and he has been a regular associate of Imtiaz Ali having written some penetrating numbers like Aaoge Jab Tum Saajna (Jab We Met) and Aaj Din Chadeya (Love Aaj Kal) to name a few. Mind me for repetitions, but when was the last time you heard something like Kateya Kateya Karun or Jo Bhi Main Kehna Chahu, Barbaad Kare Alfaaz Mere, What an intense thought! 

To conclude, Rockstar is the biggest and finest soundtrack to come out in the past four to five years, both on musical and lyrical aspects. The music will find acceptance among the masses as well as the class audience. Tracks like 'Saadda Haqq' has attracted instant attention while 'Phir Se Ud Chala', 'Tum Ho’; 'Haawa Haawa' alongside 'Naadaan Parindey' will grow with repeated hearings. It's been twelve years when Rahman churned out the music of 'Taal' where the basic, theme, subject and storyline revolved around music and now with Rockstar, he marks his comeback when people have written him off. After grabbing the Cd's, feel yourself blessed to be born in an era of A.R.Rahman.

Mr.Rahman, you made the Hindi Music Industry proud!

I rate it 5 out of 5.

Find the Edited Version @ PlanetBollywood.